diff options
author | Linus Torvalds <torvalds@ppc970.osdl.org> | 2005-04-16 18:20:36 -0400 |
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committer | Linus Torvalds <torvalds@ppc970.osdl.org> | 2005-04-16 18:20:36 -0400 |
commit | 1da177e4c3f41524e886b7f1b8a0c1fc7321cac2 (patch) | |
tree | 0bba044c4ce775e45a88a51686b5d9f90697ea9d /sound/oss/opl3_hw.h |
Linux-2.6.12-rc2v2.6.12-rc2
Initial git repository build. I'm not bothering with the full history,
even though we have it. We can create a separate "historical" git
archive of that later if we want to, and in the meantime it's about
3.2GB when imported into git - space that would just make the early
git days unnecessarily complicated, when we don't have a lot of good
infrastructure for it.
Let it rip!
Diffstat (limited to 'sound/oss/opl3_hw.h')
-rw-r--r-- | sound/oss/opl3_hw.h | 246 |
1 files changed, 246 insertions, 0 deletions
diff --git a/sound/oss/opl3_hw.h b/sound/oss/opl3_hw.h new file mode 100644 index 000000000000..8b11c893e869 --- /dev/null +++ b/sound/oss/opl3_hw.h | |||
@@ -0,0 +1,246 @@ | |||
1 | /* | ||
2 | * opl3_hw.h - Definitions of the OPL-3 registers | ||
3 | * | ||
4 | * | ||
5 | * Copyright (C) by Hannu Savolainen 1993-1997 | ||
6 | * | ||
7 | * OSS/Free for Linux is distributed under the GNU GENERAL PUBLIC LICENSE (GPL) | ||
8 | * Version 2 (June 1991). See the "COPYING" file distributed with this software | ||
9 | * for more info. | ||
10 | * | ||
11 | * | ||
12 | * The OPL-3 mode is switched on by writing 0x01, to the offset 5 | ||
13 | * of the right side. | ||
14 | * | ||
15 | * Another special register at the right side is at offset 4. It contains | ||
16 | * a bit mask defining which voices are used as 4 OP voices. | ||
17 | * | ||
18 | * The percussive mode is implemented in the left side only. | ||
19 | * | ||
20 | * With the above exceptions the both sides can be operated independently. | ||
21 | * | ||
22 | * A 4 OP voice can be created by setting the corresponding | ||
23 | * bit at offset 4 of the right side. | ||
24 | * | ||
25 | * For example setting the rightmost bit (0x01) changes the | ||
26 | * first voice on the right side to the 4 OP mode. The fourth | ||
27 | * voice is made inaccessible. | ||
28 | * | ||
29 | * If a voice is set to the 2 OP mode, it works like 2 OP modes | ||
30 | * of the original YM3812 (AdLib). In addition the voice can | ||
31 | * be connected the left, right or both stereo channels. It can | ||
32 | * even be left unconnected. This works with 4 OP voices also. | ||
33 | * | ||
34 | * The stereo connection bits are located in the FEEDBACK_CONNECTION | ||
35 | * register of the voice (0xC0-0xC8). In 4 OP voices these bits are | ||
36 | * in the second half of the voice. | ||
37 | */ | ||
38 | |||
39 | /* | ||
40 | * Register numbers for the global registers | ||
41 | */ | ||
42 | |||
43 | #define TEST_REGISTER 0x01 | ||
44 | #define ENABLE_WAVE_SELECT 0x20 | ||
45 | |||
46 | #define TIMER1_REGISTER 0x02 | ||
47 | #define TIMER2_REGISTER 0x03 | ||
48 | #define TIMER_CONTROL_REGISTER 0x04 /* Left side */ | ||
49 | #define IRQ_RESET 0x80 | ||
50 | #define TIMER1_MASK 0x40 | ||
51 | #define TIMER2_MASK 0x20 | ||
52 | #define TIMER1_START 0x01 | ||
53 | #define TIMER2_START 0x02 | ||
54 | |||
55 | #define CONNECTION_SELECT_REGISTER 0x04 /* Right side */ | ||
56 | #define RIGHT_4OP_0 0x01 | ||
57 | #define RIGHT_4OP_1 0x02 | ||
58 | #define RIGHT_4OP_2 0x04 | ||
59 | #define LEFT_4OP_0 0x08 | ||
60 | #define LEFT_4OP_1 0x10 | ||
61 | #define LEFT_4OP_2 0x20 | ||
62 | |||
63 | #define OPL3_MODE_REGISTER 0x05 /* Right side */ | ||
64 | #define OPL3_ENABLE 0x01 | ||
65 | #define OPL4_ENABLE 0x02 | ||
66 | |||
67 | #define KBD_SPLIT_REGISTER 0x08 /* Left side */ | ||
68 | #define COMPOSITE_SINE_WAVE_MODE 0x80 /* Don't use with OPL-3? */ | ||
69 | #define KEYBOARD_SPLIT 0x40 | ||
70 | |||
71 | #define PERCOSSION_REGISTER 0xbd /* Left side only */ | ||
72 | #define TREMOLO_DEPTH 0x80 | ||
73 | #define VIBRATO_DEPTH 0x40 | ||
74 | #define PERCOSSION_ENABLE 0x20 | ||
75 | #define BASSDRUM_ON 0x10 | ||
76 | #define SNAREDRUM_ON 0x08 | ||
77 | #define TOMTOM_ON 0x04 | ||
78 | #define CYMBAL_ON 0x02 | ||
79 | #define HIHAT_ON 0x01 | ||
80 | |||
81 | /* | ||
82 | * Offsets to the register banks for operators. To get the | ||
83 | * register number just add the operator offset to the bank offset | ||
84 | * | ||
85 | * AM/VIB/EG/KSR/Multiple (0x20 to 0x35) | ||
86 | */ | ||
87 | #define AM_VIB 0x20 | ||
88 | #define TREMOLO_ON 0x80 | ||
89 | #define VIBRATO_ON 0x40 | ||
90 | #define SUSTAIN_ON 0x20 | ||
91 | #define KSR 0x10 /* Key scaling rate */ | ||
92 | #define MULTIPLE_MASK 0x0f /* Frequency multiplier */ | ||
93 | |||
94 | /* | ||
95 | * KSL/Total level (0x40 to 0x55) | ||
96 | */ | ||
97 | #define KSL_LEVEL 0x40 | ||
98 | #define KSL_MASK 0xc0 /* Envelope scaling bits */ | ||
99 | #define TOTAL_LEVEL_MASK 0x3f /* Strength (volume) of OP */ | ||
100 | |||
101 | /* | ||
102 | * Attack / Decay rate (0x60 to 0x75) | ||
103 | */ | ||
104 | #define ATTACK_DECAY 0x60 | ||
105 | #define ATTACK_MASK 0xf0 | ||
106 | #define DECAY_MASK 0x0f | ||
107 | |||
108 | /* | ||
109 | * Sustain level / Release rate (0x80 to 0x95) | ||
110 | */ | ||
111 | #define SUSTAIN_RELEASE 0x80 | ||
112 | #define SUSTAIN_MASK 0xf0 | ||
113 | #define RELEASE_MASK 0x0f | ||
114 | |||
115 | /* | ||
116 | * Wave select (0xE0 to 0xF5) | ||
117 | */ | ||
118 | #define WAVE_SELECT 0xe0 | ||
119 | |||
120 | /* | ||
121 | * Offsets to the register banks for voices. Just add to the | ||
122 | * voice number to get the register number. | ||
123 | * | ||
124 | * F-Number low bits (0xA0 to 0xA8). | ||
125 | */ | ||
126 | #define FNUM_LOW 0xa0 | ||
127 | |||
128 | /* | ||
129 | * F-number high bits / Key on / Block (octave) (0xB0 to 0xB8) | ||
130 | */ | ||
131 | #define KEYON_BLOCK 0xb0 | ||
132 | #define KEYON_BIT 0x20 | ||
133 | #define BLOCKNUM_MASK 0x1c | ||
134 | #define FNUM_HIGH_MASK 0x03 | ||
135 | |||
136 | /* | ||
137 | * Feedback / Connection (0xc0 to 0xc8) | ||
138 | * | ||
139 | * These registers have two new bits when the OPL-3 mode | ||
140 | * is selected. These bits controls connecting the voice | ||
141 | * to the stereo channels. For 4 OP voices this bit is | ||
142 | * defined in the second half of the voice (add 3 to the | ||
143 | * register offset). | ||
144 | * | ||
145 | * For 4 OP voices the connection bit is used in the | ||
146 | * both halves (gives 4 ways to connect the operators). | ||
147 | */ | ||
148 | #define FEEDBACK_CONNECTION 0xc0 | ||
149 | #define FEEDBACK_MASK 0x0e /* Valid just for 1st OP of a voice */ | ||
150 | #define CONNECTION_BIT 0x01 | ||
151 | /* | ||
152 | * In the 4 OP mode there is four possible configurations how the | ||
153 | * operators can be connected together (in 2 OP modes there is just | ||
154 | * AM or FM). The 4 OP connection mode is defined by the rightmost | ||
155 | * bit of the FEEDBACK_CONNECTION (0xC0-0xC8) on the both halves. | ||
156 | * | ||
157 | * First half Second half Mode | ||
158 | * | ||
159 | * +---+ | ||
160 | * v | | ||
161 | * 0 0 >+-1-+--2--3--4--> | ||
162 | * | ||
163 | * | ||
164 | * | ||
165 | * +---+ | ||
166 | * | | | ||
167 | * 0 1 >+-1-+--2-+ | ||
168 | * |-> | ||
169 | * >--3----4-+ | ||
170 | * | ||
171 | * +---+ | ||
172 | * | | | ||
173 | * 1 0 >+-1-+-----+ | ||
174 | * |-> | ||
175 | * >--2--3--4-+ | ||
176 | * | ||
177 | * +---+ | ||
178 | * | | | ||
179 | * 1 1 >+-1-+--+ | ||
180 | * | | ||
181 | * >--2--3-+-> | ||
182 | * | | ||
183 | * >--4----+ | ||
184 | */ | ||
185 | #define STEREO_BITS 0x30 /* OPL-3 only */ | ||
186 | #define VOICE_TO_LEFT 0x10 | ||
187 | #define VOICE_TO_RIGHT 0x20 | ||
188 | |||
189 | /* | ||
190 | * Definition table for the physical voices | ||
191 | */ | ||
192 | |||
193 | struct physical_voice_info { | ||
194 | unsigned char voice_num; | ||
195 | unsigned char voice_mode; /* 0=unavailable, 2=2 OP, 4=4 OP */ | ||
196 | unsigned short ioaddr; /* I/O port (left or right side) */ | ||
197 | unsigned char op[4]; /* Operator offsets */ | ||
198 | }; | ||
199 | |||
200 | /* | ||
201 | * There is 18 possible 2 OP voices | ||
202 | * (9 in the left and 9 in the right). | ||
203 | * The first OP is the modulator and 2nd is the carrier. | ||
204 | * | ||
205 | * The first three voices in the both sides may be connected | ||
206 | * with another voice to a 4 OP voice. For example voice 0 | ||
207 | * can be connected with voice 3. The operators of voice 3 are | ||
208 | * used as operators 3 and 4 of the new 4 OP voice. | ||
209 | * In this case the 2 OP voice number 0 is the 'first half' and | ||
210 | * voice 3 is the second. | ||
211 | */ | ||
212 | |||
213 | #define USE_LEFT 0 | ||
214 | #define USE_RIGHT 1 | ||
215 | |||
216 | static struct physical_voice_info pv_map[18] = | ||
217 | { | ||
218 | /* No Mode Side OP1 OP2 OP3 OP4 */ | ||
219 | /* --------------------------------------------------- */ | ||
220 | { 0, 2, USE_LEFT, {0x00, 0x03, 0x08, 0x0b}}, | ||
221 | { 1, 2, USE_LEFT, {0x01, 0x04, 0x09, 0x0c}}, | ||
222 | { 2, 2, USE_LEFT, {0x02, 0x05, 0x0a, 0x0d}}, | ||
223 | |||
224 | { 3, 2, USE_LEFT, {0x08, 0x0b, 0x00, 0x00}}, | ||
225 | { 4, 2, USE_LEFT, {0x09, 0x0c, 0x00, 0x00}}, | ||
226 | { 5, 2, USE_LEFT, {0x0a, 0x0d, 0x00, 0x00}}, | ||
227 | |||
228 | { 6, 2, USE_LEFT, {0x10, 0x13, 0x00, 0x00}}, /* Used by percussive voices */ | ||
229 | { 7, 2, USE_LEFT, {0x11, 0x14, 0x00, 0x00}}, /* if the percussive mode */ | ||
230 | { 8, 2, USE_LEFT, {0x12, 0x15, 0x00, 0x00}}, /* is selected */ | ||
231 | |||
232 | { 0, 2, USE_RIGHT, {0x00, 0x03, 0x08, 0x0b}}, | ||
233 | { 1, 2, USE_RIGHT, {0x01, 0x04, 0x09, 0x0c}}, | ||
234 | { 2, 2, USE_RIGHT, {0x02, 0x05, 0x0a, 0x0d}}, | ||
235 | |||
236 | { 3, 2, USE_RIGHT, {0x08, 0x0b, 0x00, 0x00}}, | ||
237 | { 4, 2, USE_RIGHT, {0x09, 0x0c, 0x00, 0x00}}, | ||
238 | { 5, 2, USE_RIGHT, {0x0a, 0x0d, 0x00, 0x00}}, | ||
239 | |||
240 | { 6, 2, USE_RIGHT, {0x10, 0x13, 0x00, 0x00}}, | ||
241 | { 7, 2, USE_RIGHT, {0x11, 0x14, 0x00, 0x00}}, | ||
242 | { 8, 2, USE_RIGHT, {0x12, 0x15, 0x00, 0x00}} | ||
243 | }; | ||
244 | /* | ||
245 | * DMA buffer calls | ||
246 | */ | ||